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Price: $49.95
(as of Feb 19, 2026 08:24:37 UTC – Details)
B0F7PG2HML, Product Description for IEM-One Rechargeable In-Ear Monitor Amplifier Can I Get More Me In The Monitor? Do you always need “more me” in your monitor? We got you covered! The IEM-One is a personal in ear monitor amplifier that gives you customized monitoring with clean clarity at every gig and rehearsal. With multiple input connection options, mono and stereo mix settings, and a built in limiter, you have a flexible and clear mix so you can perform your best. Now with USB-C Recharging & LED Volume Control! Our upgraded IEM-One now features convenient USB-C recharging capability,…, 4.5,
Reviewer: R David
Rating: 5.0 out of 5 stars
Title: Works exactly as described, and even better-using in Studio for Individual HP mixes
Review: SMALL STUDIO/HOME RECORDING STUDIOS- TAKE *NOTE* These are Sturdy, well constructed, economical and appears to be durable enough to withstand the daily abuse of touring and recording -We purchased the 2 channel version for our record studio —TwilightFlyerRecording, and plan to get 3-4 more. The 2 channel version allows a studio on a budget to send more individualized headphone monitor feeds tothe players recording-rather than ear-buds, we plugged in $400 AT headphones-and the sound is crisp, undistorted, and the player can adjust the balance and volume themselves. We fed th players instrument ( in this case, my bass) to one channel, and the overall mix to the other, and I was able to adjust the level of my bass against the track without A- changing the volume I was sending to the engineer, and B-without bugging that same engineer to turn me up or down. ONE 16channel personal studio track monitor rig costs the same as 8-10 of these beauties. Thats good small studio management!
Reviewer: L. Bullock
Rating: 5.0 out of 5 stars
Title: Works Fine RIght Now
Review: I’m always a little gunshy of gushing for electronic gadgets. Most work (if they’re going to) right out of the box. The test is whether they hold up under use. My first impression of this unit is that it’s durable and well built. I’m using it with earbuds for a solo acoustic guitar/ singer gig. I must admit the sound quality is very good, but I’ve never used IEM systems before so I have nothing to compare them to. I’ll revisit this review if the unit craps out or fails to perform well after 6 months. But, so far so good and I’ll never go back to floor monitors if I don’t have to. It was a game changer for me. UPDATE: I will the first to say that I really notice a difference when I’m not using the in ear monitors, HOWEVER: There is some distortion of the acoustic guitar ( I play a Martin J-40 so the guitar is NOT the problem) when mixed with vocals and god forbid you should try to play a harmonica on a rack with the IEM. I’m probably just not using it right, or there’s some mathematics that I haven’t discovered, but it is annoying. Is it because the earphones are inexpensive? Heck, I’ll buy more expensive ones if that’s the case. Anyone out there know?
Reviewer: Robert H.
Rating: 5.0 out of 5 stars
Title: Works good for drummers
Review: For Drummers that want to mix a click with a monitor feed it works well. I use the power adapter so I don’t have to mess with 9V batteries.
Reviewer: S. Silehca
Rating: 4.0 out of 5 stars
Title: Good, but I found a better solution.
Review: I initially purchased a Behringer Powerplay P1 Personal In-ear Monitor Amplifier, however the Amazon listing didn’t mention that it requires line-level XLR input, not mic-level XLR.I then tried the Behringer P2 Ultra-Compact Personal In-Ear Monitor Amplifier, but it had terrible static (just touching the XLR cable increased the static).I then tried both the Coda Music Tech Personal in-Ear Monitor System and the Rolls PM50se. The Coda is no slouch. It supports both a 9V battery and DC transformer (a transformer is included with the Rolls but not the Coda) and has two XLR inputs. However, the audio quality on the Rolls was much better than the Coda, the volume on the Coda was significantly lower (20% or 30% on the Rolls is similar to 100% on the Coda), the Rolls has a XLR pass through (which avoided the need for an XLR Y-splitter in my case), unlike the Rolls, the Coda had a LOUD pop when turning on the power.For my needs, the Rolls PM50se was clearly a better choice (granted, the Coda would have been my choice if I needed to mix two XLR inputs).
Reviewer: Enrique
Rating: 5.0 out of 5 stars
Title: Connects very easy and sounds really good
Review: Good product, quality build and better price!!
Reviewer: Greg Paul
Rating: 5.0 out of 5 stars
Title: Well built with lots of options.
Review: Rugged. Well built. Lots of control options.Quiet and easy to use. A bargain.
Reviewer: hotwork
Rating: 3.0 out of 5 stars
Title: Not road worthy
Review: This thing is good value. Sounds great with my sony 7506 headphones. Functionality is good. Two channels for stereo and one for mono. Build quality is good with one exception. The battery door is rediculously weak. The plastic door breaks almost instantly. Sad. I wish Coda would fix this issue. Once the door breaks you have to tape the battery in. Certainly not road worthy.
Reviewer: DJ MinWah
Rating: 5.0 out of 5 stars
Title: Excellent headphone amplifier!!
Review: Excellent monitor/amplifier that I use for DJing. I have one or two others from 10-15 years ago where it was not just an amplifier, but splitter, where it would allow for 3 or for extra 1/4″ headphone outs. That setup wasn’t bad in that I’d use it to teach other DJs how to mix, listening into my headphone signal so they could hear where was dropping cue points in the music that was currently playing. That setup isn’t practical for me these days since I don’t teach as much and also, it required AC power. This thing is perfect since it uses two AAA batteries. Battery life is good as I’ve used it over a 4 to 5-hour timeframe for my gigs. A lot of DJ equipment (analog mixers, digital controllers, etc.) never really had enough overhead when I’m mixing and this thing is powerful! I might put it to 1/2 volume and am able to have a lot of flexibility in how loud (or just loud enough that I can get a good idea of good my mix is without killing my hearing over the long term) I need the cue to be. Accessing the battery compartment is easy although it does feel at times that I could eventually lose the screw. I don’t use the belt clip this also the battery compartment cover. Keep in mind that the input is 1/4″ but the output is 3.5mm. That might be a turn off for some since most DJ headphones have a 1/4″ end. I’ve actually moved on from headphones to (IEMs) in-ear monitors, mainly because for my type of work, I DJ some gigs outside in the summer heat and being sweaty with headhphones on isn’t pleasant. Plus, I’ve found that sound isolation of IEMs help me discern what I’m cueing up vs what’s playing out of the speakers. Recommended.
Reviewer: North dude
Rating: 1.0 out of 5 stars
Title:
Review: They don’t know what it is for ,never listened to it or put it on obviously. A bad copy of a cheap product with an annoying 1200htz permanent tone at any volume.
Reviewer: Leonardo ibarra
Rating: 5.0 out of 5 stars
Title:
Review: Me gusto su sonido y su cálida del equipo.
Reviewer: JACQUES ROULEAU
Rating: 1.0 out of 5 stars
Title:
Review: Did not work with my existing Behringer system 🙁
, Electronics > Headphones, Earbuds & Accessories > Amplifiers, #Wired #inEar #Monitor #Amplifier #Single #Channel #Rechargeable #Headphone #Amp,
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